A mixed-media installation by Moe Satt on Burmese society as part of the collective exhibition Rituals: Ink, oil, cotton and thread (tasks that involve a series of actions performed according to a prescribed order [...] By virtue of reiteration, ‘repetition’ often became a troupe of ritual. [...] investigate the significance of gestural repetition in their practice, as well as in society, and the role of the body in the production of the work where repetition, as “eternal return” is, “power to begin and begin again.” (*Deleuze, 1968, 136).
— text from the exhibition flyer.
- Deleuze. Gille 2004 (1968) Difference and Repetition).
Exhibition curated by Loredana Pazzini-Paracciani at Novacontemporary (Bangkok)